"But first, baby, as you climb and count the stairs (and they total the same), did you, sometime or somewhere, have a different idea?
Is this, baby, what you were born to feel, and do, and be?"

-Kenneth Fearing



Thursday, September 30, 2010

An Approximate Answer

*




At eight the train pulls through, announced by its brutal horn.

The trail behind grows louder, the rumbling of the cars

against their tracks, a rough release of mourning.



I can’t ignore it where I am. I hear the alarm

as if it were on my nightstand. Soon it will fade

and I will go back to myself. I don’t deny that it’s hard



to say what that is. Nevertheless, we burn through days

as if there will always be more. Only, tonight I doubt

the number. I question the stars and even the haze



between us. My life must make that sound

I think, a train pulled over tracks, not by any grace

but rather force and fear of leaving something out.



So how do I answer you, how do I speak to evening’s face,

You ask where I go when my eyes elude you.

What can I say, when I don’t have a name for that place



that makes nowhere and here, at once, both true.

And why do I answer now, why, when you’re not even here?

Because the question wasn’t asked or meant strictly for you.



I was there and involved in the asking, so need to hear

where it goes. And now, because I am a part of everything,

I hear the church clock chime the hour and disappear



so cars in the street can be heard. And then he sings,

some drunk, up to a shuttered window, and the closing of doors

behind people coming home. But what do I bring



with my listening? Why have I not answered you before.

Where do I go? Where. Listen, a song is playing in the distance,

building to the clouds and crashing to the floor.



I get caught in it’s travels, turns, the interludes, the twists

and sometimes I truly believe that it won’t end,

because I am too beaten to even raise my fist.



I have had enough of mourning, and so pretend

that it doesn’t touch me. I watch where this is heading

as if it were the second act of a play I watch again.



Because it is. Still, I want to be surprised, instead

of always knowing how much will be lost

in between the sounds and what is said.

 
 
                                 
 
                                               -Brent Allard

Friday, September 10, 2010

September Drive

*




Everyone on the road tonight


is nodding at the wheel.

The darkness is a vapor settled on

the windshield. Headlights can’t pierce

the fog that swallows daylight, pulls

away the hours much too early.



I have this conversation with

myself. Night on the Everett

Turnpike will not listen; its silence, more black

than the tar. I’m wedged between shades of

darkness. From the passenger’s seat,

you trust me to know where I am

going and would listen if I turned

to you and said, “It’s dark tonight,”

or “I think I’ve been lost since

the morning I was born,” and if

I said “The night is a raven’s

eyelid, closed.,” tonight, on this road,

you could get it.



you’d give me a look that says, “No,

that isn’t crazy.” The other

cars traveling this stretch of road,

mercifully, are quiet, except

for their wheels pulling up against road;

another mile- another mile- another mile

towards home.

 
 
      -Brent Allard